WHAT? But then you cannot track the sound of each string separately. What a disaster!
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Korg released the sdk for the volca sample as well and development on a proper sample transfer software was left to āthe communityā. There is still no good solution to manage the volca sample, and korg can pretend itās not a problem as they have given the task to āthe communityā by providing the sdk.
In my opinion a large manufacturer like korg having open source projects for things like this is cheating the customers. Itās basically asking paying customers to do the work for them and absolves them of the responsibility of delivering a fully functioning product.
I donāt think it would be a good look for elektron at this point to ask paying customers to do the work for free by open sourcing the project, when there is paid elektron staff that should be handling it.
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Thatās the one with the heat to fuse a camper? No thanks Arturia, Iāll stick with your Keystep 
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Damn, if I am unsatisfied with consumer goods itās gone in a blink of an eye. No need to complain into the next millenium: itās a first world little problem or WTĀ£.
ļø
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ā¦if you watch the other side they do have to wait till op-z kicks in.
elektron goes video with overbridge or something Unity relatedā¦or another video engine.
maybe the standalone App comes to IOS aswell and i think weāll see an overbridge that has nothing to do with the first approach of overbridge.
this time itās getting tightā¦and inbetween thereās summer. for sure.
stop complaining. every single word has been said so far,repeated too often.
peace
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at this point i want to respect the silence
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Itās actually possible since 20 years or more with hexa pickups and midi converters ! 
It can even track mediator position !
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Cant car camp with a 2 year old to look after unfortunately. pretty gutted but some things are more important, Iāll get another octatrack
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Understand completely, wish you the bestā¦
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Its a lot easier to distribute and update software. You also donāt have to deal with manufacturers stopping production of components, changes to the law like ROHS etc
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Not to mention when tracking a drum kit, youāve got 6-8 mics, not two. Guitar is a single instrument, not 4 or 8. A keyboard is also a single instrument. Elektron makes multitrack instruments. You canāt really compare when youāre talking about the necessity of multitracking.
Have you not tried caustic editor?
I have used caustic editor, as well as vosyr.
Nope. 6 or more if you add a hexamic and a midi converter you can have 1 midi channel per string, prog change per zone, CCsā¦
With 6 drum kits, 6x24 notes = 144 instruments ! 
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9/10 of the requests for new features for DT thread would be very possible with 8 streamed tracksā¦once OB lands
Creative process is different for everyoneā¦if your happy with the current functionality of your Elektron device thats greatā¦but the DT for example is still not a complete mixing solution in its current stateā¦and needs to be bounced to 8 recorded tracks to eq and create depthā¦seperationā¦and pockets for individual instruments in the stereo fieldā¦
Maybe your guitar example would work well hereā¦record 8 guitar soundsā¦make a track with them all playing at the same time and try to not create a in ya face upfront wall of noise with incoherant mud for a bottom end with the limited tool set of the DTā¦
OB will open up possibilitiesā¦and is the reason alot of people bought inā¦even my crappy akai xr20 has 4 outs enabling enough seperation of a kick and bassā¦DT was designed with OB in mind and now its not released you hit the point continually where OB was supposed to benifit and have to put tools down and rethink or bounce down to a DAWā¦
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Industrial grade software has to deal with similar stuff. External libraries/components/services/apis may go out of support or/and you need to deal with security updates on a quite regular basis. You also need to comply to all kind of regulations (law) like data protection or safety regulations (example: automotive software) which may vary from country to country.
Easier to distribute and update: again it depends completely on the kind of software. Easy to distribute and update holds only true for standalone software which isnāt part of a larger automated system (or which IS the automated system). Ever tried to update the control software of automated warehouses or power plants which consists of a multitude of services?
With a bit of creative production itās possible to create a good sound on DT. Not perfect no, but it doesnāt have to be a wall of mud at all. Resampling with high and low pass filters, not using too many samples that take up a lot of space etc.
Saying itās as good as impossible to create a good sound on DT is exaggerating things. Just have to select your samples carefully and use resample to cut away frequency bands to create room.
Having said that, Iām very much waiting eagerly for OB to take it to the next level. A band pass filter would be great as well.
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Iām surprised nobody has released a simple python-midi script to sequentially trigger each DT pattern, soloing each track in series and automatically recording each pass to a wav stem.
Set up correctly it could generate an ableton project of stems that plays identically to a chained DT project.
Iād write this myself but Iām too busy reading this forum topic every day 
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I love my walls of noise and I would not want to change these for the average ableton sh*t everybody seems to be producing these days
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