g3o2
41
In the professional world, that has nothing to do with musicianship. It’s done this way because we can. Technology enables us today to manage 1000 takes, whereas 60 years ago such an approach would have cost a fortune. It is also normal for an artist and a producer to strive for the best possible performance.
This is just not true. Some recorded live drumming is edited, but most jazz and rock recorded by competent drummers consists of full takes with minor edits at best. I have literally recorded a few of these drummers myself, it’s not uncommon at all.
Also…cutting and pasting musical phrases is also a valid art form that can be equally expressive, if different!
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g3o2
43
A strategy particularly “popularised” (pun intended) by Andy Warhol.
Elek4
44
Of course a pad controller would be hooked up to it. I thought that would be clear. 
Choopy
45
Just for precision 
on maschine+ , you can create on one pad layering sample i try 10 but i think it’s many more
You can use velocity in sequence for round robin solution too . I love use for drum only with octatrack for exemple
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Elek4
46
That’s looking good. I also just read it can handle audio interfaces as well so now i’m thinking Maschine+ + SSL Big SiX. I think we have a winner. 
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In fact, to be precise, you can layer one sample pet velocity value. Which means 128 samples per pad.
In practical use it is hard to actually be able to get all values playing by hand.
If I remember correctly ( sold my m+ a few month ago ) I’m pretty sure you cannot round robin samples in patterns/sequences because each velocity value is stored in a step, and the same step will always sounds the same, more like a sound lock/slice. The lfo on velocity only affects volume output of the sample unfortunately, and not its actual postion in the vel map, which is a bit of a shame. ( ™ Nick Batt ).
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Choopy
49
You are right, but I was talking about the live fingerdrum aspect of course
.
Sorry, the term " sequence" tricked me !
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Choopy
51
Me too … Lol
Sorry im french
With variation fct i think you can put some aleatory on velocity, but it’s just a knew pattern off course.
If i use maschine like a MPC (first philosophy) just sampling and create , i think it’s a dope machine !
If i want create a kit for fingerdrum it’s a dope machine . ( Drumsynths are very useful)
If i use like Modx rompler tool , VA , Fm , multi sample etc to create a beauty synth just to play with keyboard, it’s a dope machine !
I love Raum , Fm8 , Prism , Drumsynth etc…
For a ''mallet ‘’ or ‘‘percusive’’ box it’s a dope machine.
But if i wan’t to use many instances of monark or prism, fx etc it’s very complicate , it’s not a dope machine
So resampling method is a solution.
Elek4
52
Hot damn I learnt a new English word. I sound drunk when I say it though. 
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Elek4
53
What about Maschine+ being out only 3 years and not having any update last 1.5 year.
Any feelings on that? Any stupid bugs that should’ve been fixed by now or other stuff?
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Choopy
54
Random in French is a common word
“random” maybe it’s better for this context!
I’ve had it since the beginning but it was changed the first time I used it… I was very scared… Lol
But since then (but I remind you that my use is really old school Mpc, see Octatrack in the vision and design.)
I only use 6 pads sometimes on maschine and the p/locks, (octatrack only has 8 tracks after all and yet it is my favorite equipment for building!), I use it as a module and as a groove designer .
I use it to have long live synth sequences, or other long recordings, more difficult to do on octa or less immediate, in fact I really try to use the strengths of both.
I also use it to simply load a drum or djembe kit and play!
But if I use it as one could use it on a PC, unfortunately it’s too tight.
This means bounces to avoid cracking the processor etc.
That being said, FM8 is not very demanding.
Prism on the other hand…one instance is already good!
The loopers are greedy because of the time strech in real time I suppose). It is better to bounce and sequence if we go further in the composition.
The fct morph is superb but also requires a lot of CPU if you make a long transition, but instantly it’s very good.
So no bugs and crashes if I keep that in mind.
In midi clock it’s straight in midi slave so it’s cool and rare
I have been a user since the mk1 and I have also looked elsewhere, and I am still skeptical about the philosophy of NI which now looks more like a creator of prefabricated content.
But objectively it’s quality and professional on the synth it’s even crazy for a standalone and especially for someone (like me) used to the limitations of an octatrack, digitakt etc.
Gtranslate sorry
I’m not recommending any equipment though.
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Between this option and the Blackbox query you made, I’m confused as to why you wouldn’t just use a pad controller with a laptop or tablet then?
Cheers!
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Elek4
56
It’s about being a dedicated device and use it for that. Using a computer isn’t always the way I wanna work. I’m not against it but I like the option to simply pick and choose without it being too complicated. (which kinda doesn’t make sense).
See it as trying to read a book on an iPad. While some people would be totally fine with that. Me however would’ve opened the browser and checked Elektronauts within 10 minutes or do something else totally unrelated. I clearly got issues with focus.
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I get it. I really do.
I guess it’s just that, when I think of standalone (and for me, it’s the MPC), it’s one box with no peripherals.
Anyway, I’m glad you found your solution. In the end, making music (and hopefully enjoying it) is all that matters.
Cheers!
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i learned finger drumming with Korg PadKontrol connected to my venerable Yamaha DTXPress III module, and couldn’t do better. i tried using laptop / software with pad controller later – and didn’t like it at all, too much hassle comparing to hardware.
btw, those old drum modules sound really good.
but they are ROMplers.
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… still ready to turn on and go
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Elek4
60
So what is the best MIDI pad controller (with 4x4 grid) that works without a computer?
I’m pretty much forgetting the Maschine+ until NI fixes their game. So I thought getting a Maschine Mikro MK3 but that doesn’t seem to work without a computer. The most compact ones I could find with decent pads (that I know of) are AKAI’s MPD218 and Presonus ATOM. Any other alternatives?
What about MPC Studio MK3?
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honestly?
Korg PadKontrol (discontinued a few years ago).
best pads i know (tried many controllers), and MIDI DIN sockets (so no USB host required).
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