I can’t wait to hear what comes out of that bad boy!
Cash waiting 
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Totally loving this so far.
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I had the AR1 twice and as much as I craved over it I didn’t feel that we got on.
Then I bought the MK2, mainly as after selling a DT I wanted another stab at it (sampling) because on paper it does all the tricks.
@mekohler (‘s) app Collider really opens up the architecture and I missed that surgical penetration. Collider haunted me so much I decided to give the Rytm another chance/shot/audition and just totally fell in love with it. The MK2 is big yes, but it replies with aplomb and I have finally fallen for it in this carnation.
Lifer…
I can’t wait to hear what you, an immensely talented producer, can come up with, even more so with the SM-LL trajectory behind you.
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Very nice words thank you. 
I’ve been trying to grab a handful of hours when I can to play about with the Rytm2, totally in love with this machine.
Recorded a little jam I made earlier to show a friend what it can do, so thought I’d share it.
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I expect a new release on Bandcamp within the month yeah 
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Love it!
Seriously, whole new branch for the label, so glad you have the Rytm, I hoped it would be up your street 
I was trying to find another thread that was talking about tracks made with one machine, but maybe this was somewhere else? not sure. However, I did find this thread and although quite old now it shows how long it has taken me to make something only with the Elektron Rytm Mk2, some 3 years by the looks of it, crikey haha. That’s kinda mad though how long that has been.
Anyway, these two tracks are built on a basic pattern with sounds from the internal pulse through a resonant filter which is the kick, bass and everything, then this is fed into the delay feedback, balancing on that limit, a bit of reverb for texture, then recorded out. Simple stuff. I did master it, some of those frequencies get pretty nuts, but other than that it’s all from the grey box.
Extrapolation A was hitting play and leaving it to do its thing. Extrapolation B starts with a bit of the delay already captured, and then there is one moment a dial is turned, but other than that it’s also left to do its thing.
Both tracks are long, repetitive things, and a bit more abstract or extreme sounding than what I was probably expecting to make, but I think, all things considered, they turned out ok.
I’ll definitely explore this approach some more as some insane sounds and frequencies emerge, but I’d say anyone who fancies doing the same, go for it.