I think this kind of questions sometimes comes down to how confident you are that you could work with it’s features/functions and you level of synth programming skill. I hated all of the crunchy, distorted Erica Synths LXR-02 demos, but I had a feeling that you could dial down all of the various drive sections and it would probably sound more to my liking. Sure enough, I bought one and I was able to create the kinds of sounds I like since it’s such a flexible machine.

I imagine the Syntakt is the same. There’s so many machines includes and parameters to tweak, I would think anyone could tailor it to their preferences.

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No.

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Is this considered a full sentence? :rofl:

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Yes.

:rofl:

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…if u have not stumbled over a demo that nailed it for u, keep in mind, at least all demos can tell u, how versatile the syntakt can come across…

like with all other elektron devices, they really let u explore ur sound AND all the morph continium of that…
if u can think outside of the box, any swedish box can follow and serve u along that whatever sonic road ur about to discover or choose to follow…

also keep in mind, a syntakt firmware update is overdue…will come for sure sooner than later this year…and it will add next level shit at all frontiers…from new synth engine type machines to new makro/modifier tricks for further realtime perfomance…

maaaayyyybeeeee even some new engines that work more like insert fx, implemented in a kind of neighbour track ot fashion…

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Wow thank u everyone for the answers!

It seems that the Syntakt would not be the best for the aound I’m looking for, but itms still a solid alternative to add different textures to the core reggaeton sound.

I will look now for options for a VA too, since it looks it’ll nail the sound pretty well. In the meantime the Syntakt will still be in my lost when some spare money arrives. I din’t think I’ll be able to take it out of my head haha

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I wasn’t jazzed about most Syntakt demos, because most of them are harsh industrial noise. Maybe it lends itself to “that sound,” but that’s not for me. The demo videos are largely dedicated to that style of music, which I think is a disservice.

But researching turned up a few more chill videos that are closer in line to what I like. There’s really vibey stuff you can get from the chord machine, and I love the DVCO/Raw bass. It’s massive and absolutely cuts. It can do a classic thick synth bass that stands out. Combine that with the sequencer, and it was worth the price of admission to me.

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I would agree with others who say get a DT or DT II and make it sound like anything you want. Load it up with samples that fit within your genre.

I have a Syntakt but I’m on the fence about selling it. It’s actually boxed up as of a few days ago. I’m hoping for some great updates, but who knows when that will be. I’d like the chord machine synth to sound better and have more sound design possibilities. I could say that for all the synths actually. A second page of tweakable parameters for each perhaps. I’m spoiled by the Digitone for complex sound design I’m afraid.

I thought I would enjoy it more but I find I just gravitate to the DT and DN more, and the Syntakt sits there on the desk looking pretty lonely.

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Syntakt’s signature sound

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To all the people saying that someone shouldn’t try something if they don’t like the online demos. I can almost guarantee there are uses for synths that are not represented well in most of the mainstream demos.

For example, out of all the Syntakt videos I’ve watched, I don’t believe that anyone was even attempting any form of electronic Latin percussion. So you would never actually know if it could do it unless you tried it out.

Based on the amount of posts along these lines, I bet a lot of people miss out on excellent hardware because they didn’t see a demo that matched their style of use. Kinda silly.

First, I agree with others that if you want REAL Latin percussion, the sampler (Digitakt say) is the way to go. However, if you want synthetic Latin-style sounds (like some of the drums on the 808 for example, (and beyond) then the Syntakt can do that quite well.

Honestly, a combination of Syntakt-Digitakt would cover all of this ground quite well.

I see this come up all the time. “I don’t like the way the Syntakt sounds.” Well, you’re not going to know by just watching demos. It can sound like all kinds of things, so it really is down to the user.

Anyway, all that aside. I spent a few minutes trying to make some pseudo-Latin type percussion. Some of it’s closer than others, but for 15 minutes of sound tweaking, I think it works pretty well. I’d like to try making some multi-hit sounds like castanets for example, guiro sounds, and other of the more distinctive types, so maybe I’ll try that later today. :smiley:

I put this together for the Latin-ish-House sort of sound I heard in a Python video. Of course he seemed to be using a mix of synth and sample, so mine will only have synthesized sounds.

It also occurs to me that I should have dropped certain parts out, so one could hear the clave, cabassa, etc. a bit better. They kind of blend in with the cymbal.

I also think I want to try some pitched timbale/conga type stuff. Pretty sure it’ll be no problem. I just didn’t have time to really dig.

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This is the greatest thing I’ve ever heard. There truly is no limit to what the Syntakt can do.

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On the signature sound thing:

One doesn’t buy a multi-tool/groovebox for a signature sound. One buys it for it’s flexibility and breadth.

If you want a synth with a signature sound, you should be looking for a single synth.

A Moog, a Sequential, an Oberheim, a Palm, a Waldorf, Roland, Buchla etc.

Even then you’re going to have to design sounds though.

The Elektrons have a very nice quality of letting the SOUND DESIGNER’s signature to come through, rather than its own color.

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You’re almost talking me into keeping my syntakt

It’s a good question, and worth thinking is there demos of lots of gear that enthuse or put you off stuff? It’s very rare demos or content stuff gets me excited by gear personally.

I’ve had mine a while and have really struggled with it, but as soon as I started processing it a little more I got on with it better than the driest sound. Also, makes a huge difference if you’re making music for a soundsystem vs stuff that’s online or videos etc. it sounds huge and has incredible clarity.

So demos might sound amazing on big systems

Damn this is exactly the kind of ‘demos’ i’m missing, lots of sounds that would march pretty well real percussion.

Thank u!

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This is what the Syntakt (and many other synths) is all about. Users making the machine their own. Even though a trained ear might hear it’s all from the same machine, musicians like you, @Jeanne , and @substan for example, are doing such completely different things with it. So even if OP doesn’t like the demo’s he has heard so far doesn’t mean the Syntakt is not suitable for this style of creating music. I like doing some Berlin School type of jams with it, even though there’s not much demo’s of that style to be found online for the Syntakt.

Unfortunately the pricetag does not make it a device you buy on impulse just to give it a try, so you still might have to check demo’s by others to get at least a little bit of an idea of what it can do, before buying or not. Good luck making a decision.

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If this is what you’re looking for, it can do deep bass lines to match. It can pull off the percussive/melodic sounds nicely.

Don’t sleep on the digital side. The analog bass sound is there too and very flexible, but I think you’ll like the default bass on TRK 1. It’s a great default sound that shows off a bit.

What it can’t do is samples (yeah, I know that’s obvious). So some of the snare drums won’t be there, but you can get very close minus the compression side of the production to match. Compression is a big part of the sound on drums, but the bass is versatile and lots of melodic percussive fun.

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I think there’s room for the idea that the Syntakt has a very distinct sound, even if @Jeanne can make it chameleon into gabber acid industrial fever dreams. When someone dies on the hill that their machine of choice can do anything, it often can be translated as, “I love this machine.” That doesn’t mean you will love it. And unless you’re a professional musician, it’s probably going to sound like what you hear in youtube videos.

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usually i only buy synths when i’ve done enough research to be 100% confident i’m going to love it - i’ve been burned before. with the Syntakt i wasn’t convinced and even when it arrived i wasn’t all that into it, but i sort of trusted Elektron that it would be good. now i’ve had it nearly a year i’m starting to get the results out of it that i’m happy with, however i pretty much only use it for drums and sub basses. it is very good for various kinds of synth bass imo, this is a strong point

I bought the DN not really liking anything I heard at the time (nor know anything about synths/fm). It was just so damn cool that I had to try it! Over 6 years and I still use it all the time!

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