Should I get a Syntakt if I haven't liked any demos?

Nils · 2024-05-20T18:34:24.724Z

Awesome, most impressive work! I was planning to contribute some beats but I have no chance of improving on this

I just love how this thread turned into a creative exploration of the Syntakt’s capabilities. This is Elektronauts at its best

J3RK · 2024-05-20T18:53:28.389Z

Agreed!

Oxenholme · 2024-05-20T19:00:10.837Z

Thank you! And I agree, this is where Elektronauts shines.

Oxenholme · 2024-05-20T19:15:02.250Z

Here’s some more Syntakt ‘world music’. The main challenge was trying to synthesize a somewhat convincing Guiro.

Leonsarmiento · 2024-05-20T19:18:55.940Z

This is why you get a Syntakt or a Juno or any other synth I think: because it’s characteristic sound.

Syntakt grandfather, M:C, can produce groovy percussion lines with their macros linked to velocity on the pads + some retriggs:

philroyjenkins · 2024-05-20T21:09:48.959Z

Love this man

Oxenholme · 2024-05-20T21:21:53.044Z

Thanks ^^

J3RK · 2024-05-20T21:25:26.347Z

I’m 1% from the Guatemala region. Does that count?

The rest is Norway, Wales, German, and other bits and pieces.

Obelisk · 2024-05-20T22:38:52.280Z

Clearly some great sound design talent here! Please share some of your other work!

mncrmo · 2024-05-20T23:18:06.970Z

If I end up getting it I’d need some classes on how to sound design these.

philroyjenkins · 2024-05-21T00:39:05.708Z

Oxenholme:

synthesize a somewhat convincing Guiro.

Yeah that’s sick.

Could be a reverse ramp wave on a pitch lfo but then velocity mapped to that lfos depth with some retrigger ramp intensifying the velocity?

Maybe a tiny bit of velocity mapped to the logo rate as well, to give a bit of humanized, exponential esque trill?

It’s giving me Taros A4 Tablas levels of “how the fuck”

Top notch, however achieved.

Nils · 2024-05-21T04:20:21.429Z

I had a go at guiro, tablas and some toms.

For the guiro I used Sy bits with a lot of SRR, ramp LFO to volume, second LFO to speed.

Toms are SY Chord, tablas are SY Bits.

jiffybox · 2024-05-21T04:22:34.251Z

I’m pretty convinced that we’ll get new machines, filters and fx soon and it’ll be interesting as more things are added just how much they’ll potentially change the signature sound the ST currently has. Really looking forward to what’s ahead.

jiffybox · 2024-05-21T04:24:17.965Z

Wow, okay, thread closed.

Oxenholme · 2024-05-21T06:11:12.016Z

It definitely has a reverse pitch lfo. The sound source itself is the clapsynth with a full adsr where I modulate the spacing with an lfo. That’s the gist of it. Then it’s endless tweaking of lfo speeds, depth, ramp and an eq filter to get it right ‍:dizzy:

mncrmo · 2024-05-21T06:18:10.219Z

amazing!

Oxenholme · 2024-05-21T07:05:44.108Z

Obelisk:

Please share some of your other work!

I did some factory and additional presets for Synplant 2, but that’s about it. Not a long list of sounddesign credits

State75 · 2024-05-21T09:17:58.405Z

I didint like the the demos either. Also in the beginning I wasn´t impressed of the the syntakt also.
But as I started to use the box creativitely and without trying to copy something else it opens up .
Learn the machine an go with the flow. Use layers and the fx track.

Here is a raw exerp of a track I am working right now. I´ve done it in 2 hours outside on the countryside with an external battery. Just sitting on a bench in between nature.

Some work to to, but I shows the direction very well.

crash · 2024-05-24T18:40:52.276Z

halfwaytogoodbye:

The key is layers and creative use of the filters/lfos/FX.

I’m curious to learn more, can you go into more detail here?

halfwaytogoodbye · 2024-05-24T19:40:18.518Z

Sure thing:

I hear a lot of drums that just sound very thin/tinny - that instant “this is a drum synth” awareness. If you’re doing something like electro 100% of the time, it might not be an issue, but comparing it to something like organic drum breaks you can tell something’s missing. That something is usually related to either 1) a lack of complex harmonics (some of the native machines can do this well, some I end up layering with other hits on an additional track) 2) lack of variation in the individual hits (this can be fixed with lfos and/or parameter locks modulating decay/filter cutoff/tune/etc. to create a human feel) 3) lack of reverb (compared with sampled drums, you’re missing the room ambience, which provides extra body) or 4) not implementing swing or micro-timing adjustments as necessary.

On the other hand, I also think it’s sometimes useful to have that thin synth layer when I just need a little extra presence from my Digitakt samples without muddying the mix. In which case, everything above is usually tossed out of the window - I just layer the thin hits where I might be lacking a certain tone or transient in the sampled drums.

I hope this helps!