Hey - thanks for listening. I used both the Coco and the OT in various ways in various tracks. On Eibsea for instance, the OT was sequencing the synth and sampling it (reversing the audio and bending it a bit) on a couple of different channels. On track 2, I used the OT just for the delay, which was set to 100% and filtered on it’s own channel.
The Coco is responsible for all the crunchy drones and general fuzziness. I’m sure you can replicate a lot of the functionality with the OT but I find the Cocoquantus forces me to use my ears more.
Some tracks were pretty much recorded live and others had a few layers added.