Share your tunes

Felt inspired by all the tunes posted here today so decided to bust out the Rytm and have a jam this evening. I don’t usually write deep house stuff but that’s the way this evening’s session went.

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Another one I think ok, making use of the A4s feedback osc. Thanks for listening!

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@DavyP The Jon Secada cover is great, uplifting after a long day at work.
@elek Love it!
@monocon All three videos are inspiring. Amazing that you’re getting all that out of one machine each.

This is one I made recently with elektron boxes:

Hey vvilms, cheers for the listen mate! Yea both are MD & A4. The MD stereo outs are fed to the A4 inputs for some overdrive and filter action, then stereo out of the A4 to tape.

Oh, and great twisted shit in your videos dude! Love em!

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That’s about what I expected to hear (regarding signal flow) — I recently just picked up an A4, and I’m still getting acquainted :slight_smile: (This thing really is a monster. -shakes head-)

I’m curious to know how you feel going back and forth between the newer (A4) and older (MD) sequencers. I love the sounds of the silver boxes, but I can’t imagine not having conditional trigs/ independent track lengths, etc.

Haha, cheers! — always good to hear :blush:

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moiré is seriously good. i’m not normally into glitchy music (not sure if that’s a good description), but that was fantastic. i’ll have to give the album a listen when i have more time.

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Thanks, man :blush:

Glitchy music is also a fine descriptor. :slight_smile: We’re calling it adm (as an off shoot of idm), for abstract dance music, as we understand it’s a bit more rhythmically off-kilter than most idm, etc.

The track list is in chronological order of creation. The start is a bit more rambunctious than the end; the end is a bit more melodic than the start, etc.

I love both! You can fake conditional trigs with the Machinedrums LFOs assigned to the AMP vol. Just fuckin lovely!

The 16 LFOs on the MD are also freely assignable so id often have multiples on a single sound as well. You can definitely get the “feeling” of independent track lengths. :slight_smile:

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https://soundcloud.com/riddimfernandez/neutron-weight-dub
https://soundcloud.com/riddimfernandez/smoldering-dub-hot

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Dope track. Love the dark vibe

Thanks!

Nice

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Loving the AR :slight_smile:
Worthy descendant of my beloved MD. I haven’t put them head-to-head in an analog vs digital battle yet though. That should be fun too.
I didn’t have an MK1 first. I decided I wanted an AR just when MK2 got announced, so I waited till it shipped.

"@DoS: we’ve been working on videos for a couple sets as well; I feel the pain of anyone else doing this, rofl. "

The live performance videos took up to a week of solid work each, and were a little hair-tearing to create. This one was done a few years earlier, again with the A4 providing the main loop, and the video took even longer to get done as there was quite bit of processing involved:


“On the music, this isn’t typically my cup of tea, but damn, It’s really cool knowing the a4 played a key role in these. :slight_smile: (digging that bass in the second.)”

The bass on “Existential Dread” is some A4 kicks, some EMX-1 and a fair bit of Volca Bass, and the A4’s doing most of the brighter melodies.

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Some dodgy glitch music made purely on my modular:

https://soundcloud.com/mark-harpum/modular-song-4
https://soundcloud.com/mark-harpum/modular-music-track-5
https://soundcloud.com/mark-harpum/moduar-music-track-8

I also used to make breakcore many years ago:


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Octatrack/Circuit

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My new track with Digitakt

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Man. That toxic remix is great.

Some Liquid (I guess) Drum and Bass done with the digitakt.

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RYTM jam.

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