Digitakt in this track is used as the sequencer for the Typhon (same in the previous track too) as well as playing some of the drum sounds, the vocal chop sample as well as one of the leads. In this current setup I basically use Digitakt as a sequencer and a sound device (I really love its sample single cycle oscillators, they’re just so sweet), but rarely touch it when I play. There are few reasons why: first of all, I’m not a big fan of how the rotary encoders in Elektron devices work, they feel too unpredictable for my taste, UNLESS you control an external device or software, then the way they map the MIDI to the encoders, that is super predictable. The second is, that I’m thinking about re-arranging my setup at some point so, that the DT would not be on the side, which is another reason I don’t want to touch it live, as it’s easy to get thrown off the track, as it sits in a bit unconvenient place atm. And of course, in these two tracks I needed to fiddle quite a lot of the Typhon’s filter as well as my master filter. I understand that might look a bit odd, and that’s why I’ve not placed any camera on DT other than leaving its backside label into the picture. But basically I just love how DT and ST compliment each other and give pretty sick arsenal (8 sample tracks, 8 digital tracks, 4 analog tracks and add something else there = not much you can’t do )