…as u already thought, asking for the right sampling companion next to ur syntakt on the elektron forum is a silly question, since of course u know the anser already…
so all i can say…don’t scare back because of MONO…that’s what gives the dtakt it’s punch…
straight forward mono, autonormalized 48k samples all over the place…
stereosampling is “overrated”…the advantages of truu stereo impressions are pretty rare in daily use and abuse of audiotreatments and get their real potential if u really work on explicit sonic elements to shine in carefuly crafted differences between left and right…
most of the time it makes things only more difficult…stereo pan laws versus dedicated single placement in the stereofield…while most stereo beauty happens in the details of overall fx shadows…and those ARE actually stereo full on in dtakt…while letting two mono samples doing the “same” thing gives u way more stereo trickery options than a single “real” stereo sample…
especially if ur working with alls sorts of single drum and whatnot shots in first place…
only if ur more into long samples and heaps of ambience recordings and need the option of streaming stems in ultra flexible realtime, the ot is the obvious better choice…
in fact, the only thing that makes me grumpy on the ot, is it’s lack of truu mono…all is “stereo” samples only and if it’s mono content, it’s nothing but the exact same thing on both sides of that same snippet…and that’s not stereo, that’s just twice the amount of storage space…
so, if u like the syntakt workflow, do urself the favour and take all the advantage of having the exact same workflow also for dealing with sampling…not to mention that they feel and look fancy right next to each other and both takts together will provide all it needs for frontline audio production on top notch level…samples and synthesis at once, hand in hand…