oh man, there’s so many, after you’ve done sliding between values of stuff remember that you can also set conditions to the trigs, as well as page length, you can create radical sound effects just with p-locking and sliding between delay time or smooth and barely noticeable changes in atmosphere with reverb filter/shelf or compressor settings, like add compression but reduce the wet a bit.
you can also play a lot with p-locking the distortion symmetry and resample very glitchy but rhythmic noise effects.
also, you can set the fill condition to have reverb tail and delay feedback to go up with the press of a fill button, these trigs need to be reset by the next trig so you can create timed transitions with this approach.

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