Im in that camp that used to own a RYTM MK1 (then later MK2) and realized that I really wasn’t feeling the hat engines - there just weren’t enough adjustable parameters (too many dead knobs). You could layer samples over it (which is sort of the point) but coming from using a Tempest and Alpha Base, it just felt like there was something missing in terms of synthesis options.
Ultimately I realized that I mostly used the RYTM for it’s low end “oomph” (which is pretty much 4 of the 8 voices: BD, BT, LT, MT/HT), so I decided to try using my Analog Keys instead and it did such an impressive job that I ended up selling the RYTM MK2 and picked up a Digitakt instead - the pairing has been the best of everything for my needs: the AK pretty much handles my analog drums which get sampled into the Digitakt, which frees up the Analog Keys for stuff like pads, leads, bass, etc. Even with 4 voices, you can get alot of milage from each track using sound locks.
The recent update enabling MIDI sequencing just further adds icing to the cake (the 4 note MIDI sequencing would pair well with your Minilogue XD). Overall I feel the Analog Keys provides a wealth of sound shaping options over the RYTM, though when it comes to immediacy the RYTM provides quicker results given its more focused emphasis on drum sounds.
Anyhow just my opinion, I’ve really been digging this combination and feels it provides a very comprehensive spread of functionality. I’m sure this approach would work equally well with the Digitone and you’d gain midi LFOs to do weird stuff on the Minilogue if you wanted.