Just a little to say here, Just had it running both as MIDI master and Slave between TR-1000 and DNII.
All ok and very steady, including where the DNII is providing additional layers of percussion.
When the DNII is the master, then I have needed to select Track Sync-Layered Gens on the TR-1000, but either Track Sync setting works with TR as master.
Will try all this from my Cirklon, which I usually clock either internally or from DAW via Expert Sleepers Silent Way in a bit.
As an aside I am really loving the TR-1000 sound. Slowly learning, after a bit of head scratching and manual reading, I managed to get the side chain working before, what a brilliant feature.
I am using Live as master- TR-starts when I start Live, temp synced to Live etc. Having fun playing TR sounds with keyboard- velocity sensitive, great for analogue drums!
at 2:52:05 he talks about editing the Morph when in āall knobsā and then reduces the kick decay using the track knob, not the value encoders. I canāt get this to work, and he never explains what āall knobsā is or what mode that refers to. Anyone help me out with what heās talking about? Seems like he should explain what āall knobsā means
Different use cases. If you just sync the tr1000 to the daw it will work, just be a bit latent.
If you want other gear synced to the tr1000 while itās synced to the daw you will need a sync clock with multiple outs because the tr1000 will play behind everything else by a bit.
Or you will have to manually pull the recorded t1000 audio forward by a little each time.
Iāll try again but it wasnāt working. Put it in Morph edit, tweaked knobs that had assignments and nothing would stick to the morph. If I use the C knobs on the right they work fine. Same with the analog FX, none of those changes affected the morph
I am just playing, nothing scientific, just āsoundsā OK to me dropping loops in to the playing drums ā¦other people may have far more exacting needs, Iām used to syncing stuff manually with Euro, CV and my sloppy live playing
You can offset clock sync delay in Live but I havent messed with it.
you can sequence the panel FX settings (p-lock style)
when you enter the Accent sequencer lane it strangely doesnāt allow you to change the Accent setting on a per step basis, but a Motion Record menu pops up, where you have four pages to sequence the Reverb, Delay, Master FX and Analog FX per step
its only the same setting that appear on the front panel, but its cool that you can sequence the FXs this way
you do have to turn on the Motion record to actually hear the changes in the accent lane
If the DAW is the master then I also use silent way to derive multiple MIDI clocks with different relative adjustments (Silent way will allow for +/- 100ms of clock offset on a per output basis, but while CK notes and programme change can be advanced, CK MIDI clock can only be delayed if I get it right).
I usually also have a 2 bar period to stabilise everything prior to the track starting.
Itās nice to get it all working tight enough. But sometimes I confess that I just get ignore minor sync/latency hassles and line up the recordings in the DAW after too. In fact I quite often do that when overdubbing existing projects.
Anyway if TR1000 is happy being syncād from CK with layered gens set that will probably work for me. Will try later today.
Pretty cool that all 10 tracks can be trigger outs with all the ratchet/probability etc ā¦may have to sell my Erica Drum Sequencer now (which is TR style)ā¦I could end up making money on the amount of kit I can sell after acquiring the TR-1000
I havent tried it yet, but it sounds like you can send VSTs from your DAW through the analogue fx etc in the TR over USB (then back to the DAW via a track individual out on the TR to your DAW IO?)
