yeah, you could tell he was struggling a little bit with the touch interface but I kept thinking that the only reason he’s getting such a nice, fat, round end result is because of how that dream pedal sounds at the end of the chain. It’s really a toss up whether anything before the amp or cabinet sim will actually sound good recorded, especially trying to represent it in the way that you would hear it using it in person with an amp. That pedal really shines because you can hear it sound good in the recording.
I think the verbs pedal definitely has a pretty diverse range, I probably wouldn’t have much use for half of that, but it’s nice to have it all there if you want to try and find a space for some of the more out there stuff. I did like how the banks are all distinctly different, and strangely, I particularly liked the “adverbs” which were just basic representations of real spaces, but again that’s where the dream pedal helped it shine, I think.
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