I’ll give one more take on Scenes:

Say you set the Filter width of Track 1 to be 127 on Scene 9, and assign Scene 9 to the right side of the fader (Scene B).

That way, regardless of what your Track 1 settings for Filter width are, or your possible parameter locks for Filter Width in your pattern are, the Filter width will always be 127, if you shoot the fader to the right.

So, Scene values override any other values. That’s why they aren’t really dependent on patterns at all.

The rest is as others have said – you have 4 parts for every 16 patterns.

Usually, I make a new part when I’ve run out of tracks, and want to introduce a new sound that either

A) uses a different sample or
B) uses the same sample as the ‘old’ part but has a large amount of new settings.

You don’t have to change parts for these reasons – solutions:

Scenario A) – You could change the sample assignment for individual trigs
Scenario B) – You could P-lock new settings for the track per trig, or just use the same part and make a scene for changing the track settings

As I’m doing stuff in the studio, rather than gearing up for live, I can squander patterns and parts. :slight_smile: