Hi !
How are you ?
I use my Octatrack who send for example an LFO to ableton via my Scarlet which receive the message for analog four and Overbridge.
The analog four is on OB mode.
And it is nice, I can see on my computer The CC lfo who made wave mooving on screen of OB.
BUT If I directly plug midi out from OT to Analog four I cant find a setup where I see on screen cool mooves of filters and midi CCs reception…
Are you able to resolve this ?
In fact, where I just send midi from the OT to the A4, I have mooves on screen but the clock didnt work, I send clock from OT and, if A4 is OB it do not receive midi in clock…
It should be possible for the A4 to receive clock from its MIDI in port even if connected to OB (that’s what I do all the time as I am using an external clock source for my gear). Check that “clock receive” is enabled in MIDI CONFIG > MIDI SYNC on the A4 (disabling tempo sync in OB or you get troubles). And of course make sure the OT is sending clock out. cheers
AHHH so I can disable ableton clock ? Did you set it up manually also ? Haaaaaahannnn great !!
An other question just Out of subject, but just, is it possible to play polyphony on one track on A4 ? Or more exactly is it possible to send poly note from one track when poly unison is actived ? Because I hear poly but not chords I play on one track …
Sorry for dust …
Not sure I fully understand the question (my bad) but when UNISON polyphony allocation is used all four voices play the same note - so no chords (strictly speaking) AFAIK in this mode, but you can always use the oscillators and the subs to play major or minor triads by setting their relative pitch. Of course you can play up to 4 notes simultaneously in all other allocation modes and do chords that way (just beware of note stealing from other tracks if there’s some overlap…). Hope this helps
Yes yo did understand, so your answer is really clear for me.I wanna learn to play piano lol but it will be for the next time
hihi.
So I have to read things about pitch and keys and then miracles will happen !
Thank you khey 
It’s a bit saddly you cannot write poly with +1 +2 +3 in the arp mode, or not saddly but I was thinking it was this way to use poly on the beginning and my mind didn’t ever broke this idea before lol .
So I wish you good music atomictag ! Maybe a good night if you project to sleep 
Whats overlaps ? The only fact to steal notes ?
Thanks a lot ! Really nice to share from different place on the world Hi from Paris !
You can add more than one note per trig on the arp (info in the manual). You can even send the chord you want to place on a trig in arp mode via MIDI (which is quite handy). Regarding note stealing, the section POLYPHONY CONFIGURATION in the manual explains in detail the various allocation methods available. The concept is simple: you can only have four sounds playing simultaneously at any given time - so, say, for example, you are playing a chord with all 4 voices and then a the sequencer hits a trig in one of tracks which also wants to play a sound. Now that trig will steal a voice from the chord. And so on. The allocation algorithms are useful in all less extreme cases - i.e. whenever is it possible to reallocate an available voice to play the new sound. (note that stealing can happen all along the envelopes - e.g. if you play something polyphonic with a long release tail this may get cut out when a new sound on another track is triggered - which most of the time is certainly not what you want).