Hi
Hopefully there is an answer to this one:
I have been working with a template where T1, T2 and T3 are inputs from my modular (THRU tracks). T1 in A, T2 in B and T3 in CD.
T4 is a sample on a FLEX track.
T5 is my resample track (FLEX), SOURCE set SLICE on SETUP page 2. It has been working flawlessly… So far…
Did not have any issues until now: nearly every time I resample on T5 (SOURCE SETUP page 2 is as follow: SLIC=ON, LEN=SLC), I have to reassign a GRID in the AED as there are pops and clicks on the newly sampled material…
This is not due to the REC setup page 2 parameters Fade In and Fade Out as the pops and clicks happen randomly on slices…
This is weird as it did not happen until today. I used to resample a LOT using this very template and never had this issue.
Now I am not sure if the way I set up the AED SLC/ Tab page is correct:
Set my trigs (8 for example on 1, 3, 5, 7, 9, 11, 13 and 15)
Set SLICE GRID > 8 > Set to 0 crossing
LINEAR locks > YES
Started a fresh project and I have the same issue: most of the time I need to reassign a GRID (in AED) with a 0 crossing. Sometimes (rarely), I don’t… I thought it was due to the effects sampled from the modular (Desmodus has huge reverb/ synthetic tails) but even without any effects (dry signal from the modular) and nearly no modulation, I get this issue…
I have tried to set a 8 steps, 16 steps GRID but it does not make a difference… @sezare56 , @mpiecora , any idea?
I am not sure to understand what is your issue, what I can say for now is that pre-sliced recording buffers slices are messed up if the recording is shorter than original sliced buffer, unless slices aren’t suppressed or affected by that length reduction.
So if tempo is faster, eventually with variations, slices can be messed up.
Correct
Not REALLY an issue.
I should have given more details…
T5 is a resample track assigned to a scene B.
When I move the fader from A to B, all other tracks go silent and T5 is playing Not really an issue because I can always revert back to AED > SLC (tab) > create SLICE GRID > 8 > “Align to 0 crossing” (can’t remember what it is called…) before going to my scene B to play the resampled stuff without pops and clicks.
It is just more steps for live and furthermore did not happen before with the same setup / template on OT…
Recording is NOT shorter than original sliced buffer.
Tempo NOT faster either…
For this kind of things I don’t use zero crossing snapping (doesn’t work for some stereo audio, and it induce different slice lengths, gaps, clicks at the end). So I prefer ATK = 1, use HOLD = slice length minus 1 value or less, and a short release.
Still not sure if it is what you’re after!
For stereo files zero crossings snapping, you can change view to channels L and R in order to snap to both channels.
That sounds absolutely spot on but after I resample if I do a 0 crossing snapping, (AED > SLC (tab) > create SLICE GRID > 8 > “Snap to 0 crossing”) it actually removes all pops and clicks…
Will try this to see what comes out. Though I am not sure slice length is useful is SRC is set to slice?
I was not aware of that: not the fact you can swap to see both stereo channels but the fact you can snap to both channels…
Again I will try this to see what comes out…
The OT bible…
I meant slice duration. The goal is to set an envelope that matches slices duration. Hold values are step units.
I got used to use that instead of zero-crossing snapping, for direct playback of buffers, or live looping.
I usually use 2 steps long slices, or 2 steps long recordings that I can play and mangle freely once they are fully recorded.
Yes, up to 64 steps…
But I tend to use 2 steps recordings more than pre-sliced.
I had interesting results with tuned slices set at the begining of recording.
Each looped slice length corresponding to a note.
