Sure! Consensus works both ways well beyond languages being living, well beyond organizations like L’Académie française. Life is a lot easier and more fruitful when being less of a prescriptivist ( or dictionary thumper, I suppose )
Many arguments about what is or what is not in absolute terms tend to prioritize one usage and ignore other valid ones. The internet for all its benefits gives people the opportunity to exhaust their perceived “opponents” by missing the point and arguing for hours in their underwear.
To that end I definitely rather preface my preferred usage and context and do not begrudge someone else how they feel about their own artistic identity or employment in more commercial forms. Each weirdo is their own person!
And yes, definitely agree with your post. Technical “content” and how someone sees themselves engaged with creativity and chooses to represent their acceptance or rejection of the non-artistic process, sometimes creative people may still call themselves “content creators” in defeatism, sometimes self-deprecatingly, sometimes to save time in explaining to non-creatives who do not want an infodump.
But the rejection of drinking from the pressurized firehose of “content” spewing noise into the world is somewhat political, somewhat an attempt to elevate and acknowledge consciousness over the regular release schedule and SEO tricks that artists still may use from time to time to increase awareness of their work.
The differentiation can draw a line in the (indistinct) boundary between amateur and professional, not even necessarily between Patron and ad/sponsored content but between how they value their hard work without gaining traction by appealing to “dark patterns” and with conscious effort.
Also indistinct is what is “organic” and what is “effective” for the artist, because you may want to grab all the industrial music fans but not the crowd that’d otherwise be watching Minecraft/reaction/unboxing videos.