a normalized recording of ‘silence’ is used to excite or ‘ping’ the Octatrack’s resonant filter, enabling the production of a variety of synthetic tones. Common percussion synthesis approaches are demonstrated, such as triggered LFOs as envelopes, as well as the use of the Octatrack compressor in more of a sound-design context than as a mixing tool. After getting a basic percussion pattern going, re-sampling is employed to generate new sounds and variations
these techniques were used for Abrasions, and I will be producing a breakdown video to show how I used this approach
0:00 recording setup and normalizing silence
0:29 ‘noise’ audition
0:35 first flex machine setup
1:21 first filter ping percussion
1:36 note on sample start position
2:10 kick drum compressor
3:17 second percussion setup
4:07 LFO as envelope
4:58 kick drum LFO envelope
5:49 filter resonance setup
6:57 filter slopes
7:09 filter distortion
8:17 tempo change
8:33 third percussion setup
9:53 snare compressor
10:20 additional snare triggers
11:24 accidental warm bass
12:02 compressing reverberated signal
12:39 modulated techno timpani
14:36 filter envelope depth modulation
15:55 adjusting techno toms compressor
16:17 snare adjustment
20:25 note on noise sample re-pitching
21:28 re-sampling channel setup
23:00 re-sampling channel compressor
23:34 per-track scaling
24:53 re-sampling channel modulation
25:48 timestretch abuse
27:27 re-trigger modulation
28:24 master bus compressor