Lemajik
26
BumpidiBump 
Lets get jiggy with it… again…
So what i did:
-Used Tarekit’s technique of transitions between scenes. Great one! Thank you
-Sliced the recorded sample once so when recording a new sample the slices are still there ready to be mangled. Sliced on 16 slices and placed trigs on every beat in a bar. So thats 1-5-9-13… (i hope i named it correctly) in 64 steps. Slices are then set accordingly SL1, SL2, SL3, SL4 so that the sample is played back in original state when on scene B. I have some scenes assigned with different depth and speed of LFOs and some other stuff like Filter and filter envelopes.
Placed some simple LFO modulation on trigs on Sampler track (my case T4). The last trig in every bar has parameter locked different LFO speeds and depths. What LFO is driving is Rate. Simple scratches are formed with it. Needs some work of course to get that fresh scratch in time. I could take some more time myself…
Thats about it.
O yea… and i sampled Hakuna Matata 
If you have any questions let me know. I’m happy to share ideas.
Have fun guys…
Leemajik
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