Here’s an example, there’s more to it than this but in general:
I’ll start on my main pattern where I can make a bunch of loops with pickups and flex and also have some flex remixes of the individual loops.
After awhile I switch to a breakdown pattern/part. This part only uses one of the loops from the last part, a Rytm loop. On this pattern part I have three alternate flex remix versions of the drum loop, I use the fader to bring them in and out…
After that maybe I’ll go back to the separate loops main part for a bit.
Next I go to a third pattern/part. This one has drums and some of the loops, but introduces a spoken word talk from a static track. This track is resampled and warped to another flex. That flex is resampled once again and warped further. And one more time again to create a chain of re sampling from the spoken track… This pattern/part also has an extreme flex manipulation of the rytm track attached to a scene…
On all other parts/patterns I leave the the same track number as the spoken word track empty without start silent enabled. This way once my spoken word has started, it continues to play on that track when I go back to the previous parts, just without the resample chain…
On a forth pattern/part I have realtime pitch shift for the incoming rytm, and some other tricks lined up… I may or may not use this part in the jam but it’s there…
Generally for me each pattern/part in one bank is a section of the jam or “track”, which keeps some of the elements but introduces others. Other banks have completely different setups, but again each banks 4 parts work together and interchangeably to build that banks jam…
For my OT workflow I actually usually only use the first four patterns of every bank, each assigned to a different part, and don’t even sweat the 12 blank patterns…
