Today i used the lfo with the fm-rates for a specific task: i modulated the chorus-amount of a certain patch with 1k/sine/speed 32 at a deep aprox. 32 - 40 and pan the sound with the same lfo at a deep aprox. 20
This gives a fine broadening sound, better than the chorus cranked in alone… absolute fantastic
I also found out, that the fm-rates are somehow more musical when modulate a certain target, like filters, overdrive and other parameters
I don’t know if some of you allready checked nearly everything on the a4/ak
I allready used the lfo on the delay-times… thats crazy… psychedelic… wired
I admit … i even touched the modulationoption in the fx-section… also to my shame the velocity-modulation… AT-modulation and so on
I think i use just 15-20% of the features the a4 provides… when do i use the macros? I just tested them how the principle works…
Anyway… if one sees the macros as multimodulation-sources… i don’t remember clearly… are the macros ‘midified’?
nice idea!
and modulating delay time with a lfo is also nice. but would be even nicer if you can switch of “sync to tempo” for the delay time and adjust it in ms.