I fought the OT’s logic for a bit when I first got it…
Then I decided to learn its ways and just go with it…
Surprisingly, I now agree with most of the things I fought in the beginning…
Volume knob doesn’t bother me, I mix around the OT and have only changed its output volume a handful of times in a few years.
If I were to use headphones to mix things in with cue, I’d probably prefer the knob controls headphones as I’d want a stable output volume especially in a live performance, but would want to tweak the phones volume more often for my own personal mix…
I think of the OT more like a final stage before a sound system, like a mixer… You want to set your mixer main volume at sound check and leave it, maybe raise it a smidge later in the night.
Different than a drum machine or synth which would be fed to a mixer, or an OT. With those if you need to mix you can change the source volume or a level on the mixer/OT.
But you don’t want to change the mixer mains so much…
If you accidentally bump the volume on a drum machine, it just affects your drums, on the OT it might affect your entire feed to the sound system…
A lot of the things that bother people about the OT I find are actually very good design decisions that lead to a better workflow for me…
If one is fighting the OT’s workflow, surrendering to the OT, forgetting everything you think you know, and then revisiting, relearning, and practicing with how the OT works, can often lead you to a better place than you were originally trying to go…
The OT is a misunderstood genius that people want to be normal, but if it was normal it wouldn’t be a genius…