Incidentally, I reversed the process and put the Octatrack away for now, to return to the Live again, seeing if being away from it and back on the OT, would bring the same kind of revelation but to the Live instead.
I should add that I’ve recently paired the two with a Proper 12 module, so that also brings out the best of both of these machines and really puts them to the test (or me, I guess).
Here’s what’s striking me as most obvious:
Using it to sequence, play and enable other instruments, it’s very powerful - in many ways, more so than the OT. The number of tracks, the MIDI flexibility and the amazing pads get me quicker to an early draft I like, than with the Octatrack.
I don’t miss the conditional triggers much from the OT, seeing as I can replicate the organic behaviour these can generate by extending the track length and then record automation from the X/Y function, throwing in filter drops, re-trigs, tape stops and all kinds of nice stuff. Doing this live is very satisfying and Undo is close at hand whenever I screw up.
It’s battery powered. And it allows you to render master files of your tracks, ready to publish. It’s a lot more complete, in that regard.
Recording automation is so damn easy, compared to the Octatrack. However, in this particular regard, parameter locks shine in the OT’s favour, since p-locking midi CC to enable an external synth, is quite the thing.
But:
Only two inputs - since I use the OT as a mini mixer as well, I miss this. A lot.
It lacks character, of which the Octatrack has plenty. The filters, compressor and EQ of the Octatrack has their own style, and they’re quite punchy when you’ve gotten to know them. The MPC Live is okay in this regard, but in terms of character, it doesn’t offer much.
And whatever magic’s going on within Elektron’s machine, just working with the OT is a whole lot more fun and satisfying. But playing the MPC is a treat, whereas playing the OT (chromatically) isn’t much of a dignified experience.
For going somewhere unexpected really fast, the Octatrack can’t be beat. Once you’ve learned its tricks and treats, you’ll end up in weird places in a split.
Finally, though -
For all the cool things the Octatrack can do, for just sitting down and writing a track proper, even when you throw in a few sleight of hand moves, the MPC is still functionally the better tool for me.
I’m just not sure I enjoy it enough to make that a strong enough case to keep it
Keeping both is not an option, though. And since I’ve been with the OT for I don’t know how long, this is gonna be a tough one.