MPC Live & MPC X


#4874

just turn warp on and 16 levels (pitch) will retain the sample timing


#4875

What would you rather have if you had to choose between these two choices-

An MPC Live and MPC X?

Or

An MPC Live and Octatrack mk2?


#4876

Mpc live hands down. Hated the octatrack tbh.

Or is this a choice between either pair? Derp. If so I would get the live and octatrack *gasp! I know, but I had an octatrack with an mpcs 1000 for a while and the pair was great. I ran 2 stereo outs of the mpc into the ins of the octatrack and added fx and resampled stuff.
Tbh I think I started really disliking the octatrack after I sold the mpc. I thought wrongly that the octatrack would cover me off for both! I doesn’t!


#4877

I like this response! Thank you.


#4878

X and OTmk2 = best kombo :diddly:

but live & OTmk2 is enough for me personally

It will be fascinating to watch the upcoming APC live unfold… who knows, maybe APC & OTmk2 will be the ultimate combo with the least overlap?


#4879

Well, they’re so different that it depends entirely on what you want to do.

The OT is the ultimate sample mangling exploration device, and is very good for getting new ideas and doing unusual things. Recording beat-locked loops from other devices it a more streamlined workflow. Speaking of workflow, learning the capabilities of the machine is going to fry your brain, but this also mean that the machine can be very flexible in how you use it. It’s also better in a live set situation IMO, for the reasons discussed many times here.

The MPC X is a complete studio in a box, it’s the Live but bigger so essentially much closer to a DAW in a box (not a fan of the appellation but oh well, it’s close enough), but with more buttons and I/O, better suited to be the center of a studio than the Live (although arguably the Live can do it too).

If it was me, I’d go for the OT (I actually have that Live + OT combo at home myself), because it brings different functionalities and possibilities in your setup (like scenes. OMG, scenes).


#4880

Can any mpc users explain how the current mpcs handle scales and chords. Currently reading the manual but it’s a little confusing as it’s mentioned in events and in pad perform mode.

I’m looking at it from the point of view of a past Maschine user. Has scales/ chords been implemented in the new synths. I’m very interested in an MPC but the selling point for Maschine for me is the ability to select chords and scales as I don’t play keys.


#4881

Talking about ‘hardware timestretching’ in general… Compared to software (ableton?) timestretching all seems lacking in that department… MPC is no exception.


#4882

and I’ve used better stretching than ableton’s…


#4883

It’s kinda of confusing how they are implemented…
To play the pads in scale or chord mode you go to Pad Perform mode and pick a scale or set of chord, so far all good, press record/play tap away and you’re ready
BUT
once you leave pad perform mode, it all reverts to the standard setting, so no scales…