MPC song mode is more or less a list of sequences only … that’s it. Each sequence has a fixed length, which is defined by it’s track lenghs. All tracks of a sequence have the same length.
Each line of the song (list) defines:
- the sequence to be played
- the number of repetitions of this sequence
- the tempo
The list can be edited, new list items can be inserted, deleted etc. and the song can be transfered into a new sequence, which then is everything copied in series to this new sequence, without any structure, one long spaghetti-sequence of the entire song. No fun to edit this later
It’s quite an outdated concept, if we compare it to Ableton-Live and the option to work on clips, put clips together to scenes with clips having different lengths, improvise on clips and scenes, record or copy to the arrange view and always keep a good overview of what’s going on.
I guess that was the critic in the article on “song-mode”
Having a MPC myself, I only can agree. It’s not the finest feature of the machine. But there are “work-arounds” and I think the new sort of “clip-program” will be an improvement
The MPC concept has so many advantages, which I love that I can live with this kind of “song-mode”