Hey MM gurus - I seem to only get useful sounds from these effects with very high feedback settings - maybe this is just how phasers and flangers work (excuse my ignorance) - I’m pretty sure the source material is important too, main interest is pads - right now I’m getting a satisfying dub style police siren and about nothing else - it’s driving the missus crazy - help me explore the sonic potential further pls 
I would say It only becomes noticable when used at high(er) feedback like you said. Using lfo s and filter, or pretty much all the other parameters to get it interesting really works wonders. I remember making a nice pad with the LFO on one shot controlling the del parameter on the chorus. You could use trig tracks so your sound source is synced to the effect track aswell. Hope this helps a bit…
Orwell
3
try using the effects as VCOs/osc, use the filters as oscs and jam away on a midi key board
amazing tones
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