If you set a negative fade on the envelope LFO it acts as an attack portion of the envelope. I agree even 1 more modulation source would give you access to so much more sound design it would be pretty crazy.
2 Likes
+1
Another LFO/track! 
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Clever hack! Thanks very much for sharing! Love your MS tracks you’ve been posting btw 
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I know, but even a simple Attack setting would free the LFO for other tasks
4 Likes
MIDI Out with Parameter-Locks. Great for external Gear!!!
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i think a negative volume setting for USB Gain would be really useful.
It’s only +0, +6, +12, +18 right now, and, for whatever reason, i’m clipping my Ableton track (which wasn’t clipping yesterday).
Ideally, I could turn this USB Gain down further than +0.
My main volume is all the way off and I’m clipping like crazy in Ableton with USB Gain set to zero.
2 Likes
maybe turn the track levels down? The track level control is supposed to be linear, so turning it down should not change your tone…
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<- my genuine reaction.
It probably makes more sense to ask you in this thread, how easy is it to use the digitakt MIDI LFOs with the M:C?
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Ya know I have yet to try! Just been solo jamming the box before finding its place in my set up… I bet it would work quite well on some parameters.
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a dedicated lp / hp filter that closes all the way ala m:s.
4 Likes
Ability to use main outputs as individual outs and headphones output for the rest plus fx.
Eg, T1 output L, T2 output R, T3-T6 plus Reverb and Delay HP out
Pan does not show a value, just the graph. Difficult to see if it right in the middle
Edit: Forget about that, you can hard pan tracks to either Left or Right, deactivate tracks in the main they will not come out through HP neither.
Reverb leaks to the other channel, Delay does not
5 Likes
I just want to echo what others have said: an arp and attack phase would bring a lot more sonic goodness.
8 Likes
A manual chord inversion added to start of list before unison which allows playing chords from keyboard.
4 Likes
CTRL-ALL chance is nice for making live reductive variations, right?
Well how about turning chance clockwise from center adds other variations, somewhat similar to scatter but just acting on trigs, like some kind of random bit mask fill macros spread across the knob range? Affecting different tracks in different ways.
Thinking along the lines of say:
Repeat last step after 2 steps if no step present.
Repeat last step after 5 steps and override current step.
Track trigs of 2 and 4 are switched.
Shift all track trigs rotate, so 1 trigs 2, 2 trigs 3 and so on.
Etc.
15 Likes
Two requests:
Function-turning quantizes pitch changes to semitones, but the knob scaling is somehow way off, way too slow. To be honest, I’d prefer an option to shift by octaves.
And
Holding TRK (CTL-ALL) should also affect changing the LFO parameters, so that, say, changing the depth with TRK pressed affects every track.
Small hygiene and consistency changes. Doable. Pls.
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The ability to live record retrig speed changes would be lush!
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the ability to ctrl al retrigs would also be dope 
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When I double tap stop, I would like the delay and reverb buffers to clear. I am noticing that if I stop and restart a pattern, even with the routed tracks muted, I can still hear the feedback in the delay buffer unless I wait for some time. It’s like the delay model continues to run after the patent has stopped, thus the delay buffer eventually clears on its own. This could be problematic in a live set.
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A round robin midi setting would be awesome, to use it like a 6 note polyphonic FM synth (like in Loopop video but without additional hardware), maybe via settings menu .
Maybe it could be also a new machine sort of with its own presets.
When in round robin mode knobs should work in control all mode
In the meanwhile this may work…
https://maxforlive.com/library/device/2192/polymind
3 Likes