I used to not like the VO synth very much, but then I made a point of getting to know it better and now I like it a lot. I LOVE using distortion on a good crunchy robot voice!
You really have to go deep and get used to how the parameters effect each consonant and vowel differently.
I find combining consonants and/or vowels, by placing them on neighboring triggers can make achieving certain aspects of speech easier.
P-locks really bring the speech to life too. You can make pitch inflections and hold certain vowels longer/shorter and that really helps make the speech sound more realistic.
I had made a bunch of VO synth material but lost it all and haven’t had the patience to go back and go deep with the VO again.
I’m not a big fan of the VO-6 robotic voice. Honestly, do you listen to much robot-voice-music yourself? What I have found usable though is doing choir sounds in poly mode. Very nice.