just the sin machine alone, volume up, can create such full heavy rolling sine bass, and so easily can be a kick drum as well with a exponential LFO controlling pitch… That’s my foundation of countless mnm patterns it’s unreal.
I just stopped playing my last live set and started a monomachine-only live set in order to really force me to use the 6 tracks to their fullest, and force me to write my songs “horizontally” (changing patterns and ideas) instead of “vertically” (just adding or removing another layer)