void
9
yeah using envelopes / LFOs for pump-sequencing is pretty cool! i love doing this on the reverb volume with its decay turned up high…
it was just the level of the INL oscillator being quite loud, louder than the A4 internal oscillator… so the kick would saturate the filter, rudely pushing the pad out of the way.
If you do this with a TRX B2 machine (e.g. through an individual output, triggered by your main kick) and make its pitch low enough, and then on the A4 use the 2nd filter as a high pass, you’ll not hear the kick drum in the mix, but it will still have the push/saturation effect.