dokev
7
Very little chance that even the most minimal Eurorack set up will end up saving you that much money. Between Beads itself, whatever modules you need to get things from line to modular level and back again, a case, and whatever other modules you put in there to modulate Beads/MIDI to CV module + mixer etc etc etc, you’re looking at a cost in the same region, if not more expensive. Plus, you’ll end up addicted to Eurocrack, which is not a good way to save money.
I’d also say, as someone who owns both of them, that they are not really that similar. Microcosm is basically a bunch of set granular-derived effects which you can only really control through two macro knobs (activity and repeats) and a shape control. Beads is a bonafide granularizer with which you can precisely control the pitch/size/time/density of grains generated from your audio + a wavetable synth + a delay. Beads is remarkably self contained for a eurorack module (parameters can be modulated by onboard, dial-in-able randomisation when no CV is patched in), but Eurorack modules are expecting to be in a system with other modules that augment and enhance them, in a way a guitar pedal doesn’t.
In short: Microcosm is decent for some granular frosting on your audio but don’t expect too much more; Beads is a more like a very well chosen slice of an actual granular synth, and needs the context of other modules to truly shine. And I wouldn’t say either one is an alternative to the other.
FWIW though I wouldn’t sell it now, I don’t think Microcosm is actually worth the money if you care at all about precisely controlling the parameters of your effects (which I do). You might get some good insights about pros and cons if you explain what you’d like to get out of either of these set ups, since they are quite different.