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Nothing to apologize about! I think having as many points of view, data sets, techniques to pick from and try is quite beneficial to someone learning to do this sort of thing.

It’s going to be a little different for everyone, the type of music, the tools, the various stages of the process, etc.

I’m always looking for more points of view from everywhere from true professionals, to equipment designers, to novices, to small time studio tip videos to other musicians. Doesn’t matter how big or small. It’s all data. I like to present this or that thing that works for me, but in no way do I think my way is best, an all in one solution or anything of the sort.

I do a TON of my work in the sound design portion of my process. I actually have very little to do afterwards later. I’m also not making pop hits. :smiley: I make music for my own amusement and to share with whoever wants to listen. I want it to sound good, but I’m not going to expend huge amounts of effort to make it absolutely flawless.

I do a lot of what I do by ear, feel, etc. I don’t work like a “proper” engineer. :slight_smile: I approach everything as an artist, including my circuit designs.

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