after messing around a bit with using an LFO set to TRIG on RTIM I found there are some possibilities for very crude pitch envelopes given the range of values available on RTIM, and there are some pretty interesting sounds available from this method. I was getting it to produce some very lo-fi type of percussions, which makes sense since the steps on this pitch envelope are pretty big so it’s like using a heavily bit-crushed pitch envelope. Modulating the pitch at the same time as the RTIM also went very quickly to some strange places, and the rest of the voice architecture was letting me handily emphasize different aspects of the raw tone and increase the percussive qualities - but I don’t think I was going to end up with a vengeance kick anytime soon 
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