Korg Volcas Mangled by Octatrack Video

Here it is :angry: More details in the video description!

Part 1 uses THRU machines and Part 2 uses Flex Buffers.

There are One Shot trigs in the Recorder tracks. By pressing YES I can capture the loop playing, then switch to Part 2 and start mangling that audio :stuck_out_tongue_winking_eye:

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that’s lush! :+1:

how many volcas do you think fit in the side pocket of an Elektron bag?
any one Elektron + one of these should be a great live setup that one can easily transport by bicycle.

great video!:+1:

Glad I only ordered the Volca Bass, sounds nice. Good work.

I like that use of parts and one shot recorders. I’ll have to give that a go. I’m excited to get some time in with the Volcas. Mainly happy to have an anywhere/anytime box.

I wasn’t much convinced by the volcas before that vid… Dataline’s magic changed the game, i guess!

Amazing sample manipulation, very cool jam!

Sorry for bringing this up after long time, but I am struggling to record my 303 with the same target…

Maybe somebody can help me to fix this …

So I have in PART 1 A THRU machine with the input set to AB where my 303 is connected… in first STEP I have a ONE SHOT TRIG which records 16 step WHEN i press enter…

then when I switch to PART 2 I have the FLEX machine recordings 1 because I am using track 1 with same step and assigned to different slices…

when I switch from PART 1 to PART 2 I can still hear my 303 which I don’t want because I wanna hear only whatever has been sampled…

Thanks in advance for the help

Ok so i have a rec trig on part one how to I then setup the flex on part two to hear the recorded loop?

Ok I figured it out!

Me no :frowning:

You put a record trig down on part one the thru channel. Switch to part 2 and select flex record buffer that has the same thru channel number as part one you will have to scroll up with arrow key to find it I think . But a normal trig on this channel. Switch back to part one arm your one shot record trig.

When you press play your sequence will record now switch to part 2 to hear your recording. Job done!

To find the record buffer select any channel select flex and scroll up you will see eight buffers select the same one as part one.

Giuseppe, do you have your Flex machine on the same Track as for the THRU?

You still hear the THRU maybe because you haven’t used the very same track for Flex too, so it does’t get silenced.

if any problem give me a call :wink:

Hi guys,bumping here because I am trying this simple thing:

•PART 1•

T1: THRU A/B
T2: THRU C/D

•PART 2•

T1: RECORDER1
T2: RECORDER2

I can switch seamlessly from Thru audio to sampled version, switching between the two Parts (as in the video).

BUT…when I switch from PART2 to PART1 -doing this prior the pattern loop back- I hear a sort of distorted reversed audio of something…maybe the same buffer…? Indeed it sounds as the buffer but with RATE set to -32

Does any of you experienced the same?

P.S.
I am just switching between the two parts…no crossfader fx lush transtions for now…just a practical try of this sampling technique.
Maybe that noise happens in the video too and I cant hear it? :stuck_out_tongue_winking_eye:

EDIT

After some trials I believe that if there is not a trigger as soon as you switch Parts altering the behavior of the same track, this results in this kind of glitch.
In Dataline’s video there are, commonly, more live created trigs for the Flex track.
So…when the Part-switch happens, the Thru track now ā€œseeā€ a trig, so it gets properly triggered.
Since I had only one trig on the first step (while I was trying for the first time the technique), switching Parts (2>1) at, say, step ,8 resulted in this reversed -32 version of the buffer while the Thru was not ā€œseeingā€ any trig to get properly triggered.

Can someone else test this out prior to me sending a Ticket to HQ?

Thanks!

Great jam…very well done!!!

I get exactly the same, glitchy stretch reverse thing happening to the audio, basically it sounds a bit odd, when i jump back to the thru, but as a technique in itself i’m missing something still, the audio drops both ways (on account of having just one trig though) so the technique needs something else to be musically viable, but yes, i get the glitch you describe

edit: the way to smooth it out obviously involves the scenes as can be seen from cenk’s vid : )

Thanks for your test avantronica

Gonna send a ticket.

One last question: do you get the glitch even when you go from THRU > FLEX?
I thought it was happening only FLEX > THRU

Just the one way, same as you, but the sound drops out both ways occasionally, the technique needs some scene magic for that !

Completely ! :alien: