I am bouncing tracks out of my MPC One now and into Ableton. I like this workflow a lot but of course I can’t color my samples since the audio is not going through the outputs. So for hardware color, I route everything through an analogue mixer which is a nice start.
So in Ableton I will have a bunch of tracks and I am thinking I would use Overbridge with the Heat. I am pretty sure I can only process one track at a time.
So basically would I put the Heat on say, the Kick and then dial it in and print the take? I was thinking maybe just to do the entire drum buss but then if the Kick is too loud or something needs rebalancing, I’d have to redo everything. How do you all handle that?
Also I was thinking for synths and other sounds I could use the Heats filter and automate that while also processing the synth. Kill 2 birds with one stone kind of thing.
Is this overkill or realistic? Just trying to get an idea of how people use the Heat besides slapping it on the master buss.