p.s. not sure why I can’t get Flex track 5 to playback in the new scene, either. You can see it records in Part 1 and does not playback in Part 2. oh my goodness.
Direct part changes can be glitchy. I can try to reproduce but could you give more details on your set up?
What coming in Thru, samples or recordings in Flex ?
Recorder trigs are placed on both Thru tracks, T1 and T5, with playback trigs also placed on step 1.
Part 2 is exactly the same except T1 and T5 are Flex machines playing back their respective buffers, which is supposed to play back exactly what the Thru machines were playing.
So fast and precise gestures! Like if it was accelerated and time stretched (not talking about the beginning) ! But the tempo corresponds!
Concerning that transition, what is timing of the video?
This is the same set up in this video as the one I’m taking about but isn’t the same video. If you buy this album it comes with another how-to video. You can see the trick around 1:50. Basically any time he’s hitting the part button and up (or right arrow), he’s doing the trick I’m trying to set up.
I’ll screen record the bit of that video tonight after this gig and hopefully Cenk won’t be upset! …he walks you through his method and I’ll share just that snippet… for educational and trouble shooting purposes
@sezare56
Here’s a chunk of that video. I chopped it up to deliver the gist of what I’m getting at.
…removed…
so, it seems i just have to have impeccable timing on the switching of parts if I am to go this route.
i think separate patterns linked to different parts is going to be the most fail-safe approach… definitely don’t want to drop audio on the gig (unless i intend to)
Did you ask cenk ?
He’s using yes/arm and one shots, so it’s recorded once. I just tested, it behaves the same.
He also uses the crossfader for the transition.
Testing…
Did you try copying the first part over to a second part, and then making the necessary track designations for the second? You can make an easier time of it by copying the part and pasting to another one (switch the tracks from THRU to FLEX after that), then copying the first pattern and pasting to a different one, and then assigning that second pattern to the second part.
Make sense?
I feel like that would minimize the hassle on the OTMK1.