im cautiously interested. Seems a shame not to try if its possible.
luls
is that a picture of how they did the fine-tuning for the mega bass ? 
It will be interesting to see what Elektron’s response will be. If they supported it they would have to supply the schematics and such otherwise it would have to be reverse engineered. It’s all SMD, but the layout is spread out a bit which makes modding it easier. There looks like an unused header footprint at the top near the outputs.
Does anyone know how the AK will handle separate outs with FX?
I’m in
Even if elektron said they “don’t support this in any way, but if you are curious here are the exact points where you could ‘extremely carefully’ solder connections to for tracks 1,2,3,4 audio” … would be very helpful.
Interesting dialogue here http://www.flickr.com/photos/psychlist1972/8417992791/
So somewhere inside the red box is where the wires need to be attached … the spec sheet of the coolaudio chips indicates which pins are the possible ins and outs: 4 possibles on each chip and there seem to be 2 chips per track, and I’d guess a master chip to the left (?)
Wonder what these things are in the box?
Hardly 4x2 points to pull out mono tracks?
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Interested.
Interested as well.
Though, would much prefer that Elektron provide a system based option; seems it would be easy enough to route audio as TRS; and use Tip and Ring as 1/2 and 3/4 voices.
Or sacrifice the CV outs for 4x audio.
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I’d rather hit track mute and just record each track to my DAW. 
Hmm… Wonder if there is a way to sacrifice the TRS CV out sockets and convert them to individual outs for the 4 voices without drilling the box? If that header is for voice outs, do they need an amp stage or can you wire them directly to the sockets is the question?
remember that A4 tracks have panning
I’m down.
What if you are not using a DAW?
Sounds like something hard to do while playing Live.
+1 I’m in.
I was envy this useful feature on the AK.
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+1
Definitely interested.
Also interested.
Sounds like something hard to do while playing Live.
+1 I’m in.
I was envy this useful feature on the AK.
[/quote]
I don’t think your listening audience is going to be overly concerned that you didn’t use individual A4 outputs with separate channel processing on your mixer when doing a live set.
If it sounded exactly like the live album I’d be a little concerned myself.
Sounds like something hard to do while playing Live.
+1 I’m in.
I was envy this useful feature on the AK.
[/quote]
I don’t think your listening audience is going to be overly concerned that you didn’t use individual A4 outputs with separate channel processing on your mixer when doing a live set.
If it sounded exactly like the live album I’d be a little concerned myself.[/quote]
Venn,
I’m talking about usability, not sound quality.
I’ll give you an example. In many situations I use the crossfade of my OT to kill the lows of the Kick and because the bass line comes from the A4 mixed with the rest of the synths, usually the lead synths, etc., I don’t want to cut lows on the OT THRU machine because it will be killing lows on the lead synths also.
Because of this on the A4 I have to use two kits/and or to program performance knobs to change bass line second filter to High Pass (I usually use multimode filter on lowpass for strong bass lines), then rise the multimode filter frequency, and after the music break, put all back to get the bass line’s lows again.
If I can send the base line using an extra output I will use another TRHU machine on the OT with a highpass filter controlled from the Crossfader, and I won’t need to take care about driving extra knobs.
I can think in many situations while playing live where you may want to process or resample A4 stuff on the OT and it will be very convenient to have them separated.
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What if you are not using a DAW?[/quote]
sample to OT?