i know a lot of you guys are using an innerclock syncgen
im currently waiting on one… in the meantime im planning if i have enough outputs on my audio interface (rme ufx) to do what i want with inputs + fx loops etc.
is anyone using a headphone out signal to drive the innerclock? seems like a waste of a line level signal otherwise.
In the case of the rme with totalmix any source can be routed to two stereo headphone outputs… So sync gen software would go to say left headphone for sync and right for transport. Definitely possible with the totalmix routing. So yeah I meant I gained extra outputs in the sense I had been reserving two line level outs for the innerclock, that can now go to something more fun like A4 input.
In the case of the rme with totalmix any source can be routed to two stereo headphone outputs… So sync gen software would go to say left headphone for sync and right for transport. Definitely possible with the totalmix routing. So yeah I meant I gained extra outputs in the sense I had been reserving two line level outs for the innerclock, that can now go to something more fun like A4 input.
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hmm. must be different than the multiface II, or I’m not 10o% getting how you are using your setup. In my case I have 8 analogue outputs, +8 outputs via ADAT interface + 2 SPDIF. Regardless of where I am assigning my headphones from it is still a duplicate signal from my assignable outputs, but you actually did just make me realize I could use my SPDIF outputs via headphone jack which might be useful sometime…
Anyways, as far as I understand it shouldn’t be a problem. The Sync Gen VST has an internal gain control for the clock pulse signal, as well as you should be able to control the gain of its output after the VST or in the totalmix panel so it shouldn’t be any problem getting it setup right for use through a headphone output.