Simple question: Is it possible to have just some instruments come out of individual outs and the rest through the main outs?
I just tried it with the kick, and why it does come out from its individual out, it is also coming out from the main out. It is possible to isolate the individual outs in some way?
There are lots of reasons why you’d want to do that, eg to feed an fx processor as though it were a send or insert for a particular track.
The question is more, why would you not want the individual outs to be active at all times? I can understand that on some tracks eg you might want the snare separated and on some, mixed, but you should still have an external way of muting the individual out, no? Whether on a mixer or in a DAW.
finalform: I use a 24channel external mixer, and up until now, i was feeding every single external out to a channel of the mixer. I do realise however, that I really miss the FX on parameter locks, which are obviously lost when you use individual outs.
So I was thinking of just doing my bass elements (kick & base tom) as individual outs, as those rarely have any FX on them, and the rest (hats, claps, rides) to go via the main outs to a single stereo channel of my mixer. This way I can have the p-locks during my production…
Or can you imagine a simple way to solve my issue?
Br,
Yavor
I’ve got mine setup similarly, all elements are recorded dry and i’ve got only the FX coming out the master feeding into AH for a bit of saturation.
According to the sound architecture figure on p. 13 of the manual, both fx sends are post Amp/Vol, but before Mixer/Track level.
Edit: just trying out and being confused: when I change the track level, it also affects the track’s fx send. I thought that amp vol was pre and track level post fx send, but this seems not how it works… well, back to the discussions on AR gain staging…
so finally I have produced my tracks in the state to record them live into external source for later mixing and polishing.
So my question concerns: Is it possible to get more individual outs than 2 for this purpose? Or do I have to do some kinda of a trick to get more than 2 cue separate channels out? (e.g. pan masters far right and left + 2 individual cues = 4?)
Reason to do this is simple: a need for a later mixing and same time to get that live feel in arrangement.