Loving this thread - so thanks for kicking it off Nikolaj.
I’m a bit late to this thread, but I’ve been using Octatrack since May. I wasn’t sure what I was going to use it for for initially, but was immediately drawn to this idea of sampling and sequencing ambient on-the-fly. It’s sort of the opposite of my normal show which is beat driven controllerism with Ableton Live.
I’ve only had time to watch snippets of all the wonderful videos in this thread but will try to keep up from here on out.
I’ll start off by contributing a video :^) “Excerpts from Ambient Improv 11/24/2013 (Tenori-On + Waldorf Nave Custom Presets + Octatrack”. So no pre-programmed sequences and Octatrack has no samples in it at the start.[url=“http://www.youtube.com/watch?v=ATSlz-79AAE&feature=share&list=UUm36lYPbh4W464V_6XPu-ow”]
Tenori-On and Waldorf Nave (play with multi-touch and via CME XKey) on an iPad are food for Octatrack. I’m using all custom presets I’ve made on Nave for this piece plus processed Tenori-On (using only Octatrack FX). Just to add some mood lighting I’m using Resolume on a laptop with some video footage in 2 layers. I’ve mapped the MIDI form Octatrack’s cross-fader to do double duty to morph Octatrack parameters and cross-fade between the layers. iPad is on a TheGigEasy mount with sidearm. I bought the XKey at the merch table at a Thomas Dolby show in Denver. You can just make out Thomas Dolby’s signature on my CME XKey.