dtr
14
In my large Max projects I follow a modular approach. Each audio/video/DMX generator or whatever it is lives in its own patch. Then I create meta-control patch(es) to orchestrate that bunch. For audio I ‘ll aggregate all signals via send~ receive~ pairs in a DIY mixer patch that sends the mix to audio interface outputs.
When the project is feasible in Live’s structure I might use Max4Live there to not have to build the mixer, timeline, etc myself.
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