I was watching this set this morning and really enjoying the fluidity of it all - the whole thing flows seamlessly and I have an almost identical setup. So it got me thinking about how he goes about orchestrating it all with his gear - 'cause I’d quite like to put a set like this together at some point.
i.e. if you’ve got 2 ‘tracks’, but you want a good few minutes of both of them working into each other, what’s the workflow technique on the OT/AR to make that happen - how would you structure banks etc to allow for that transition? Do you build the whole set out as one big track?
He has notes but I can’t quite work them out 
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i think you could check this:
by the way do you knwo what are the little boxes in front of the Analg Rytm?
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This was an old question but I think that’s a useful response! I hadn’t yet come across this material from EZBOT, I think it’s a solid starting point. I think that I have a better understanding of these workflows now too.
Regarding those boxes, I think that the one on the left is a master clock. I don’t recognise the one on the right…
yes you can follow the patreon of Ezbot for a month and take all the templates it’s really useful, copy them duplicate and edit them as you want 
i think it’s clearly the way that Lifka works
