No, not at all. I’m fairly keen on determining a character for them. My jibe was more about the definition for “musical” (or lack of it). I feel there’s an implied “sweeter sounds make better music” behind your original question, but I’m in the John Cage & David Byrne camp “silence and setting are music too”.
I’m lucky, I have some great synths:
- Matriarch has such a joyful vibe; it’s like salted caramel - you just want more of it. It’s so striking I usually play it by itself as a mediation. I’ll work on bringing it into tracks more next year
- Syntrx is darker, fizzier, grainier; the spring gives it a physicality. I currently use it more for “features” because its matrix mixer lets me integrate external FX, and the trigger and joystick let me play it without keys or a sequencer in my drone project. In that setting, the fact it’s not as bright and shiny as the others helps it fit with the other instruments in the project
- MS-20 is unruly and muscular, scratchy and intense
- Juno 106 is bright, confident, comfortable
- A4 is more neutral . I use it as my main melodic and harmonic composition tool. A lot of demos show it off to be more interesting than I can make it
I wonder if a better framing for your question would be more like “which character synth do you like the most, and why”… or “what do you use each synth for?” etc.