Yea, one of the reasons I bought the Blackhole was the 2 band eq.
I cut the lows, and adjust the highs in real-time, to taste.
Mix is usually around 9 or 10 o’clock. I’ll tweak the mix to be a wetter during breakdowns sometimes, helps me live out the pioneer DJ dream for at least 2 bars
Decay is short-ish, almost plate style, but I’ll elongate it on more sparse tunes, and shorten it on busier tunes. Gravity knob is also fun to tweak on more minimal tracks.
The need for these program dependent changes is why I bought such a knobby reverb
Freeze/infinite capabilities are also good to have for real-time performance needs. I’m excited about Dreadbox’s forthcoming stereo i/o shimmer reverb. Though the filtration looks to be either LPF or HPF. I’ll probably buy it regardless. Put whichever one is best live on my OT, and the other can live on my MKS-70. I love gear.
Seriously good and not to be ignored. I only got the Blackhole instead, due to budget restrictions.