I agree that to clinically understand some kinds of music there’s a bit of context required, but I think that there’s also a bit of a disconnect between this described mentality and the modern interpretation of what is or is not “music”.
In fact, rather than saying melody is the soul and life of good music, I might say melody is the soul and life of emotive music. The hinge of melody is abandoned in many genres and even at the time this forward was written, other parts of the world were doing things that defied the logic of the western musical construct but are still clearly music and (subjectively) good.
I have some other thoughts but I’m not trying to argue with an author that’s been dead for 100 years, just thinking that as much as I enjoy a good melody it’s not necessarily the crux of all good music.
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