Gear I keep, and why

I was just going over the thread where we tell why we got rid of something and realized that we need a thread where we explicitly tell why we keep something.

These are what I have decided to keep and here is why:
-Digitone II: 16 part multitimbral, tons of timbres. Ability to have free-running LFOs or have them synced. Good enough pattern chaining and a song mode. Layering. Midi LFOs and 16 CCs per track. The ultimate reason is how it effortlessly handles synthesis and sequencing in one box, allowing me to tweak every step if necessary. This is my favourite synthesizer and what I use to sequence my other synthesizers with. No need for another sequencer basically.

-Cobalt8m: sounds very analog for a VA. Sold my analog poly just because it sounds better and is more fun to use. Tons of sweepable waveforms. Good FX. Minorly annoying but clever modulation management, 3 LFOs and mod matrix. Endless encoders. Well thought out usability.

-Blofeld: insanely good sounds. I am basically keeping this just as a sound module because I bought one with tons of presets. You can modify every part easily though, so it’s a synthesizer alright. Some superb synthesizer features such as tons of modulation possibilities including modulators. Usability is a big minus though.

-Neutron: I have two that I run in different configurations. As two, as one, in stereo, as a 4-note paraphonic synth, you name it… Gritty, even ugly sound. Saturated type of gritty mono sound with gain staging gone to hell. Some like, some don’t. I do. Very good modulation possibilities with good utilities. Cheap.

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OT: I have put way too much time trying to understand that damn device to get rid of it now. Also I love it and it almost always ends up helping me when seriously making music.

Syntrx mk1: Although it’s kind of a clone to me it’s completely unique and the closest thing to science lab equipment I can handle. Love that sound and the vibe.

A4 mk2 Just a beautiful device and the one I’ve spent the most time mastering it. Nothing quite like it as well and it really pushes the envelope of what an analog sound can be.

AR mk2: My fav electronic instrument ever. Will use it forever. Aside from some minor things I have problem understanding (like the mod menu closing in on you if you don’t make the selection in 1-2 seconds). It has everything going on for it and sounds amazing.

Waldorf M: It sounds magical. So much mojo and potential and it gets better all the time as the developer is constantly ironing out bugs and including new functions to it.

Tascam 244: I use it all the time and everything about it is gold. It looks so nice, sounds amazing and has v deep routing/processing capabilities. I will never ever sell it.

A custom Verde tube mixer: It’s made according to my wishes and saturates in a way I haven’t heard any other piece of gear do. Also beautiful AF to look at and I love using it.

These things and some pedals is and will be all I’m using for years to come. I feel so good not having any kind of GAS anymore as things got out of hand horrifically and it lasted almost 10 years.

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The common thread in all the gear I consider permanent collection
is fast workflow without sacrificing modulation or sequencing power and sound engines that have large sweet spots and respond well to modulation. I basically follow the “is it fun to use this gadget” and frequency of “damn that sounds great” moments guidelines. If I always waste a lot of time sound designing on something and rarely end up making actual music on it I start to question what I want from it.

For me that’s been the Syntakt, Peak, Artemis, and Tonverk. I have a bunch of other deeper gear but those are the core pieces that I generally use and I can’t see any reason why I would ever sell them.

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Syntakt. Everything else I might end up bored with, but this one is so immediate, sounds so great without trying and is so versatile that I think it will always stay the heart of my set up

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I’m glad to hear someone else say it! The basic sound of the M is underappreciated, IMO, with the nice VCFs and VCAs at the end. I do hope Vladi has the OS perfected by the next release, feels like it’s been years of new features and new bug reports … although they are not big bugs.

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i just keep everything (thank me for never buying anything with piano style keys).
will start selling something in some 20 years when it reaches proper vintage status.

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Korg MS20 mini

Because it sounds great and i painted the ins on the patch field with a red marker. Woudn’t get a good price for it.

Polyend Play

It’s a cool device and it’s not worth selling after they released the Play+.

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Everything I’ve had and said I’ll never sell, has been sold! I stopped saying it!

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The short dumb answer:

I keep stuff that I already have learned; that sounds good in a recording; and that gives a nice playing experience (how it looks, how it sounds, how it feels; I don’t notice the smell, lol).

I don’t think I’ve ever owned a piece of gear I totally loved from the beginning; it’s more a relationship that grows.

The long detailed answer:

Moog Matriarch: I don’t get orgasms listening to it or anything, but it always sounds good enough, for any kind of typical synth sound–leads, basses, pads (up to a point; only 4 oscs), bleeps. I trust this box: If I patch it well, it will record well. It’s so much fun to patch, with or without cords … a child could learn it.

MPC Live 1: This was probably one of the last Live 1’s sold in the U.S., and it’'s always worked fine. The learning curve (including tweaking the pad sensitivity) took time, but now I feel very comfortable playing and editing, visually and in the List Editor. I still use an old OS, pre-3.0, and I use this box mostly as an old school MPC, with my own drum samples; it replaced the 4000. The paid piano plugs and such are there too. 128 samples per kit, super-long sequences, lots of tracks. I never bump my head on limitations. Only the song mode sucks [spoiled by Elektron].

Moog Minitaur: The initial sound doesn’t make me drool with pleasure or anything … but for bass, if I spend time to program what I need, the Minitaur always sounds warm and chocolatey in the lower mids like a bass should. It’s really pleasing to hear after the fact.

Akai AX80, Behringer B2600, Korg X50 Rompler, Roland Aira P6, Sequential Prophet 6: These are instruments I know very well, that do certain jobs reliably and enjoyably. The Akai and 2600 are for improvised leads, the Korg for piano practive and clavs, the Roland for spontaneous home sampling, and the P6 for warm gooey pads.

It’s nice to have reached this point. In my first couple decades of synthing, I never really had the tools I needed, now it’s all much less frustrating to get the sounds I wanted to hear. So… gratitude.

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Nice and thanks for the first post.
I should head over to a friend’s place to try out the A4. He might even sell it to me!
M as well. It sounds really gritty unlike most Waldorf offerings. Nowhere to try that one out though.

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About the only thing that hasn’t changed in my setup over the years is my MIDI thru box :joy:

I even replaced all my audio cables a few weeks ago as I needed RCA cables now that I’m using a DJ mixer.

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I would highly recommend trying to just go bananas with it as well as the more basic stuff. It really rewards that kind of approach and it’s full of weird combinations of params that tend to pop up when making just mad patching decisions. Stuff that amazes me time and time again.

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My thoughts exactly. I think that people do not appreciate good modulation possibilities enough nowadays. Those make synths interesting for me. It’s not the 90s anymore!

I will try not to respond in separate posts from now on! Keep it up!

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Hapax: One of the best purchases ever- its mad fun - and fast - creative - there is a solution for everything, and its very playable.

Octatrack: same as above - once it clicks, its the best sampler.

Analog 4: not exactly quick , but i love its sound.

Prophet 12: sounds top, i only have the module - ok sometimes i wish i had choosen the virus TI, but now i have to live with it - no regrets - can sound very warm.

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I have a lot of gear and at least some sentimental attachment to most of it, but these would be the last to go:

EHX Deluxe Memory Man reissue: I bought this in 2005 or 6 and it’s been on nearly every iteration of my pedalboard since. I love it. I also inherited a 1970s original from my uncle, but the reissue sounds a lot better.

Zvex Fuzz Factory: I bought my first FF in 2006 or 7. I have owned a few variants over the years, and there’s just nothing like it. Edit: I would prefer to keep my Fuzz Factory 7, since it’s the most versatile, but if times were really tight, I would keep my original Vexter and sell the others.

Fender 62AVRI Jazzmaster: I bought this in 2008 or 9 because I wanted a Jazzmaster, playability and comfort be damned. It took me a really long time to actually like it, but I was stubborn and now it’s MY GUITAR.

Elektron Digitakt mki: The newest member of the family. It is more user-friendly than the Electribe ESX-1, more focused than Push 3, and affordable enough on the used market that I wouldn’t gain much by selling it. I’ve really come to love the workflow, so even though I have some sentimental attachment to the ESX-1, I am more likely to keep the Digitakt.

Shure SM58. I still have the first 57 and 58 I ever bought, back when I was starting out on a Tascam eight-track.

I’ll also give an honourable mention to the Intellijel Cascadia. I’ve only had it for a year, but it does everything I’ve ever wanted a monosynth to do.

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General comment:

Gotta say it’s nice to have such a warm positive thread, in the middle of all the shit world news, and the weirdness around the Elektron company’s acquisition.

A little enthusiasm ftw

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Gear I’ve kept longer than the others and have yet thought about selling.

SP-404MKII: So versatile and fun, especially the looper and how you can quickly save your loops to a pad and move on!

OG DN: It’s awesome, no idea what I’m doing but that’s part of the fun!

Strymon El Cap V2: I can get lost for hours with this pedal and it sounds so damn good!

JHS Coulor Box: iI’s my go to preamp! The sound and EQ are incredible considering it’s a pedal!

Fender Highway series parlor: Great playing guitar with a super fast neck and great sounding plugged in. Sounds okay unplugged but it’s quieter than a full body which is good for the rest of the family at 2am drunk strumming! I move on from guitars after some time so we’ll see but for now this has been the most playable guitar I’ve ever owned.

All the rest are constantly on the chopping block as I’m an impulsive psycho when it comes to owning things!

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Montage 6. Often thought about selling it over the years but size and weight make things a bit more difficult and so never really got around to it. Plus there’s a bit of sentimentality having had it since new. Pull it out of storage every now and again and it still sounds wonderful. Need it to be really outdated before I can make the seminal elektroindustrial album for the 2020s.

Everything else is at risk if I get around to it, although I’ve had the Meris LVX for around 2 years now also.

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Yamaha Montage: sold an 8, missed the pianos i had expanded it with. Flirted with a Nord but eventually bailed due to price, thought I’d make do ITB a while, missed the lovely key action. Repurchased a M7, equally lovely action, just a player’s friend. Recently tried to replace it with a purer synth but -hey- missed the pianos… Hardly ever record it, spend hours with it. Sometimes I just sit to a piano, sometimes just use the cheesy arranger stuff and have a blast. A therapy machine.

Nord Drum 3: unique in hardware, and unique instruments can’t be whimsically replaced. Prices will rocket if it’s ever discontinued. I’m a competent but not stellar drummer and this is my stick therapy, rhythm the basis, right?

Encore Stratocaster: cost me £18 about ten years ago. Again, competent but not stellar guitarist, but damn the action on this is perfect for my slowhand lead playing. Couldn’t give a hoot about tone snobbery as I gravitate to experimental, fripp, shoegaze, postrock etc when I six string, so always laden with (ITB) Fx chains.

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The shit I buy from the Soviet Union.

Because it’s broken and nobody wants it.

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