jonah
8
you might try making a bunch of preset “effect” banks and parts on the octatrack so you can get on with MIDI sequencing without having to slow down to get nice effect chains setup.
i’m only able to get deep into one side of the octatrack or another if i’m also working with other complex gear without getting totally confused. i can’t be setting up banks and parts and scenes and flipping back and forth between audio and MIDI at the same time.
i do think two monomachines would be totally cool though! i could see doing al lot of parallel processing on one or running a poly machine into it or being able to easily visualize polyrhythms. i don’t think it’d be hard to use 12 tracks (or 7
) if you enjoy the monomachine. can you send kits directly between 2? i’d probably want the octatrack’s effects though just to give it more variety.

i think the machinedrum is the easiest to do audio and MIDI at the same time because all your tracks are in a row, but i love using each of the tracks on the octatrack to sequence a different track on the machinedrum and dynamically resize the tracks, sometimes i’ll record this into the machinedrum or sometimes i’ll “bounce” the MIDI to the MPC.
i don’t really care about “project management” so i like having a few different sequencers running at the same time, but that’s not to everyone’s taste.
ETA: the octatrack can also be a good way to manage pattern switching on your other elektrons. especially if you had 2 monomachines! but it works fine with any of them.
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