sabo
12
an mpc’s samples are static, they don’t get timestretched based on the BPM. all the sequencing is MIDI based, so you use midi notes to trig samples. if you slow down the BPM, the midi notes will be triggered at a slower BPM but the samples will remain the same. An interesting effect in of itself, but not the same as an octatrack or ableton where the samples are continuously linked to the tempo.
an MPC has 128MB of 16bit 44.1khz memory, which comes to about 11-12 minutes of stereo samples (double that if using mono samples). it’s not a lot, but it’s not a little. an OT on the other hand can play back GBs of audio, just depends on your CF card. if the samples youre using for your instruments aren’t too long, then it should be fine. it sounds like you only need to create 16 different sample-based synth sounds, which is totally do-able, in either machine really.
the MPC has a greater range and flexibility in designing sample-based instruments. every instrument can be comprised of layers and layers of samples (same applies for its drum kits - that’s prolly why artists who heavily use an MPC like Clark or Prefuse73 tend to have really layered sounds). layering on the MPC is great, and the device has a really big sound. the FX are pretty lackluster tho (except for the compressor, which will smack you in the face). there’s also a lack of “hands on” FX (at least the MPC1000 really suffers from lack of knobs and interface). the OT’s lack of polyphony doesn’t allow for too much layering; the OT is more geared for loop manipulation, live FX+processing, and live resampling. it’s fx are all very hands on, and the machine is well designed for live use but doesn’t have the pads :-/ they’re amazingly different as machines, i’d say the OT overall has more uses and is more enjoyable for me to use based on how I like to make music, but the MPC definitely has its place and there’s others who prefer the MPC.