MPasted in from other thread:
“I’m all for additions or improvements to the AH, I have just got one again after selling my first one, the reason I sold it before was that I felt other gear that I own can do similar stuff, whilst that is still true what I did not account for was the convenience and tidy package that the AH offers, and to be perfectly truthful I don’t think I gave it enough of a chance before. Time will tell I guess.
I think the envelope and trig settings need to be set very carefully to get the best out of it for sure, I have not gone too deep with it just yet, but I spent an hour yesterday running a multi instrument loop through it and experimenting with all of the various settings, I think like the Sherman FB it is much easier to make the sound worse than it is to improve it, but there are plenty of nice things to be found also.
I’d like to see the EQ section have a bit more in the way of customisation, as well as the envelope/follower, I think that I want to try using a CV envelope from the A4 to see if that yields anything interesting, and it could also be fun to do some crush/fm stuff with pitched CVs too.“
One thing that might be getting mixed up (or indeed it might not be, maybe its me! So feel free to correct!) envelope followers work on the amplitude of the input signal, so peaks impart more modulation (assuming positive depth), troughs impart less modulation, the attack and release parameters can be used to slew or glide between values to somewhat smooth it out - agreed? Right, so the trig parameter is not trig but threshold in flw mode, the follower does not require trig per se as it follows the amplitude of the audio.
To get the kind of choppy disco funk kind of vibe that the mutator is known for I’d be more inclined to use the envelope not in follower mode, and set the base and width and trigger appropriate to what aspect of the loop I want to act on the filter or whatever, then set attack and release as appropriate for the kind of swept filter sound desired.
Edit: I had a play with the loop posted above, using follower messing with the mode level, base and width and depth got fairly close to the mutator example, I guess the exact same sound would be impossible due to all the differences between the units, but I reckon a bit more experimenting with settings could get closer to that kind of sound.
Forgive me if this has all been discussed or is obvious!