You can do as you wish, which i’ve since been doing for the last (too long) - i checked even though it (polyrhythms) are my starting point because there is a subtle significance to seq1 in other regards, but it does indeed allow for seq2,3,4 to be longer than 1 - however if you ungate seq1 for a step - the underlying patterns will always be ungated at the same time as 1, irrespective of their length, so you get changing gated sequences if they are different lengths - i.e. mono voice, but the ‘skip steps’ are reserved for the 1st seq
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all good
amazing instrument that just begs to be tweaked
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scrolling through my patches it does do dark and very off-piste, but i still think it has a warmth about it which doesn’t feel ‘dark’ - it’s highly modulatable, so weird is all about your imagination
it’s comprehensively specced midi wise
i’ve attached a screen grab - you can see a rest in seq1 and the staggered resets (1st one reached is used on each) - the rest on seq1-step2 will apply to all whenever it is passed on step 1 (i.e. not necessarily for step 2 on each other seq !)
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my Editor is 90% complete and i ought to market it soon as i think it offers advantages that others might not (user sub presets e.g on envs, the circles are preset template holders that the user defines/recalls) (though tbh, i’ve never bought any synth editor, I just do my own)
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it’s fully bidirectional (via sysex dumps / cc) and can update automatically upon a program change - i’ve no interest in vst editors, so i’ve never taken any down that road, it’s for sound design and for, most importantly, reading a patch - it’s all laid bare clearly, especially the deep modulation area
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that isn’t a patch, i’ve just moved values about to show unipolar/bipolar stuff - there are a few unique workflow bells and whistles in there too fwiw, easy naming (not visible on desktop version) and patch management - might start a thread if this is potentially of interest to a few